Canvas Art Prints Canvas Art Prints Blog My account New products Specials Featured products Email us
Canvas-Art-Print.com

Skip to content

Multi-million pound ‘meaningless’ Yves Saint Laurent art sale

Pierre Berge, the partner of Yves Saint Laurent, said he decided to sell the couple’s multi-million pound collection of art because it became “meaningless” after the fashion designer’s death last year.

 

 

 

 

 

 

 

 

 

Mr Berge has put 733 items up for auction, including works by Gaugin, Picasso, Klimt, Degas and Cezanne.

Art experts have valued the collection between 200 and 500 million euros and it will go on display in Paris on February 23.

Mr Berge said he no longer saw the point of keeping the collection once his couturier partner had passed away: “After his death, I decided there was no longer any reason for it to exist.

“The works will never die. It is only the collection that is disappearing. The works will find other collectors who will buy them and take care of them.”

The 79-year-old, who ran the YSL fashion house for years, told the French newspaper Le Journal du Dimanche that he was quite at ease, parting with so many works of art.

“It is an interesting experience, not sad,” he said. “Everyone dreams of attending their own funeral. I am going to attend the funeral of my collection.”

Most of the money raised by the collection will go towards HIV-Aids research.

Mr Berge added: “I always regarded these works as just passing through our hands, I can live without them. Saint Laurent never could have.

“He was a psychotic personality who needed familiar objects around him.”

Last November, art experts in China criticised the selling of bronze pieces from the collection, arguing that its country’s treasures were being plundered for a second time.

Two pieces in particular provoked anger: a pair of bronze animal heads from the “Zodiac Clock” of the imperial Summer Palace in Beijing.

Christie’s, which is running the sale, said the sculptures had a “clear and extensive” history of ownership and clear legal title, while the company always strictly adhered to any laws “with respect to cultural property and national patrimony of art”.

 

Posted in Art news. Tagged with , , , , .

Reality TV has nothing to offer the art world

Charles Saatchi’s new art reality show is a reflection of the low regard we have for genuine talent

Charles Saatchi, the Citizen Kane of the art world, is about to transform himself into the Andrew Lloyd Webber of art.

A new BBC2 series, Saatchi’s Best of British, will see him preside over a contemporary art reality show, comparable with Lloyd Webber’s I’d Do Anything. Talented hopefuls (I’ve put that phrase in as blog-fodder …) will attend his “intensive art school, where they will be tutored by top contemporary artists.” The show will “attempt to discover the next Damien Hirst or Tracey Emin.” Well, I don’t suppose anyone would expect it to discover the next Cy Twombly or Jasper Johns.

And yet… why not? For all his public image as consumer of the new for its own sake, time was that Saatchi had high standards and exuded authority. He did not just buy or exhibit any old thing. In comparison with today’s new collectors, who splash out fortunes on hilarious graffiti knock-offs and wander dazed and confused, credit card in hand, through art fairs pulsing with banality, he was a veritable Pope Julius II of courageous taste. There was some sense that in making it into his gallery, a Hirst was achieving something - that it all … mattered. Back in 1992, you could go to the Saatchi Gallery, see what Saatchi was buying, and the avant garde was right there before your eyes.

Does anything that happens in a reality talent show matter? What are you saying about art by becoming involved in such nonsense?

It’s of a piece with the desperate inclusiveness of Saatchi’s online activities, and the staggering, yet boring, plurality of British art now. “Everyone an artist”, said Joseph Beuys, and in Britain this seems to have come true. Or, as Rupert Pupkin put it in Martin Scorsese’s prophetic film The King of Comedy, you can have anything you want, so long as you’re prepared to pay the price. We can all be artists so long as we’re prepared to forget the idea that art has any worth or meaning. Art is easy if it’s rubbish. Britain’s Got Talent? No, what we actually believe is “Britain doesn’t need talent.”

Posted in Art news. Tagged with , , .

London Art Fair hoping to draw record crowds

The London Art Fair will celebrate its 21st birthday with its biggest ever range of galleries when it opens today.

There will be more than 100 stands with 1,000 artists’ work on sale at the Business Design Centre in Islington. Organisers expect to attract up to 25,000 visitors.

Special events include exhibitions of photography from the Ukraine and China, and contemporary sculpture from India.

Visitors can browse art from late 20th century British greats LS Lowry, Barbara Hepworth and Patrick Heron alongside emerging artists like Nina Murdoch and Wang Wei.

Adam Dant will be producing on-the-spot portraits of visitors to raise money for The House Of Fairy Tales, a not-for-profit firm set up by artist Gavin Turk to champion art for families.

Dant, 41, who lives in Shoreditch, is best known for creating cartoon newspaper Donald Parsnips’ Daily Journal. For £250, he will paint visitors as a beauty or a beast, or for £450 you can be captured in sepia ink as both.

He said: “I’ve drawn in public before. India is the worst place because you end up with a crowd of 50 people around you, but I’m used to it.
“It’s more like a performance. It really keeps you on your toes as an artist and it’s a bit of a luxury to be sat in a space just drawing instead of doing all the extraneous things that go with being an artist.”

He found about half of people chose to be a beauty, and half a beast. Young children were the most difficult subjects, he added.

“It’s not because they move,” he said. “Toddlers are the worst because after a while, they all look the same.” Other House Of Fairy Tales events include drawing workshops by Fiona Banner, an artist who presented a printed description of a pornographic film for the Turner Prize.

Jonathan Burton, the fair’s director, said there were 112 galleries, compared with 105 last year, despite the difficult economic situation.

“We feel fairly upbeat and positive about this. When you speak to the galleries, what they say is they’re not expecting to have the best fair they have ever had. Clearly it would be naive to think that circumstances are such that that would come to pass. But we are still expecting 22,000 to 25,000 visitors.”

About 24,000 people attended the fair last year.
Some artworks are expected to sell out even before the fair opens its doors. A new print, Empire State, by cult Bristol artist Nick Walker is widely tipped to go quickly. It will be in a limited edition of 175 for £475.

Outside the fair, Rob and Nick Carter, a husband-and-wife team, have created what they describe as “images without cameras and paintings without brushes”. It is a billboard installation of 42 neon words on a white board.

Photo50 is a display of 50 photographs from around the world curated by students on the curating programme at Goldsmiths.

Another highlight is a booth offering limited edition video art for £20.

The fair, at the design centre in Upper Street, kicks off with a VIP reception today before a preview evening for the public costing £25. Normal ticket prices are £11 in advance and £15 on the door. The last day is Saturday.

Posted in Art news. Tagged with , , , , , .

Punters queue for recession busting art at the London Art Fair

The bottom might have dropped out of the top end of the art market, but Britain’s famously satirical contemporary artists were putting a brave face on matters at Tuesday’s opening of this year’s London Art Fair.

Perhaps the most impudent work on offer was by Carrie Reichardt, whose ceramic aerosol spray-can “Just My Fucking Luck Capitalism Collapses Just As My Work Hits The Art Market”, priced at £400 ($581), summed up what many artists are feeling as the economic downturn takes its toll on potential collectors.

But the atmosphere was far from gloomy at Tuesday’s preview. Queues of collectors started forming at 7am in pursuit of a new print by the Bristol street artist Nick Walker, on sale in a limited edition of 175 for £475 at the Black Rat Press stand, although doors did not open for the preview until 6pm.

“This is the kind of art that has a very broad base,” said Mike Snelle, the gallery’s director. “It is affected by the downturn, but not very.”

A record number of galleries are taking part in this year’s fair which opens to the public on Wednesday with a series of “recession-busting” initiatives.

While the market’s grandest collectors have been adopting a cautious approach at recent auctions, Jonathan Burton, the fair’s director, said there was still plenty of interest in the more modest sectors of the market. “Of course we are operating in very challenging times, but we are ready to weather the economic storm.”

Mr Burton said the breadth of the fair’s price range would encourage visitors.

“We are offering works priced from £20 to just over £1m, and prices are less rigid than in the past. Galleries are much more flexible in offering discounts. It is a great time to be a collector.”

Among the most accessible pieces on offer are video art works produced in limited editions of 250 for £20 each.

Some galleries made a point of showing work by less established artists, which was cheaper than that of their more illustrious counterparts.

John Martin, who runs a West End gallery, said he had noticed a decline in business of about 20 per cent over the last year, although this had been partly offset recently by international collectors who had begun turning to London because of the weak pound.

One byproduct of the times was a rise in demand for wine and canapes.

“We have noticed many more people coming to our private views,” Mr Martin said.

Posted in Art news. Tagged with , , , , , .

Largest Modern British and Contemporary Art Showcase in the UK Opens

LONDON.- London Art Fair, the largest Modern British and contemporary art showcase in the UK, turns 21 in 2009. With a reputation both for quality and accessibility, the Fair will bring together one hundred leading British galleries, a selection of international projects and a showcase of contemporary photography at Islington’s Business Design Centre from 14 – 18 January 2009.

Galleries selected for the Fair in 2009 include Alan Cristea, Richard Green, Agnew’s, FAS Contemporary, James Hyman Gallery, Hazlitt Holland Hibbert, Bearspace, Carter Presents, Eric Franck and Purdy Hicks. Together, the exhibitors present a broad variety of work from the 21st and 20th century, showing pieces by celebrated artists such as Keith Coventry, John Hoyland, Barbara Hepworth, Patrick Heron, Gavin Turk, William Scott alongside emerging figures such as Melanie Comber, Nina Murdoch, Jeffery Blondes, Wang Wei, Seahyun Lee and Sumedh Rajendran.

This year, the fifth presentation of Art Projects welcomes galleries from New York, Madrid, Beijing, Frankfurt, Dublin, Belfast and London – with contemporary painting and photography prominently featured. Art Projects is a platform for international galleries to bring the most stimulating contemporary practice to the Fair, offering an opportunity to present a solo show of new work or a show exploring a specific theme or aesthetic.

Photo50, successfully launched in 2007, returns with a curated display of 50 photographs presented in a strong critical context and drawn from the international photographic scene. Major artists are positioned alongside rising stars and all the work on display will again be for sale. The selection of works will be organised by the Curating Programme at Goldsmiths, University of London.

London Art Fair aims to uphold a unique and supportive approach to collecting, and takes pride in accommodating every level of collector and presenting opportunities to buy across the spectrum of the art market. Prices range from £20 to over £1million.

Even though Canvas Art Print Ltd are not displaying this year, we will be attending on numerous occasions, and will be posting various updates during the following week,

Posted in Art news. Tagged with , , , , , .

Banksy maid blanked!

IT used to be a classic Banksy but people are now jokingly calling it a Blanksy.
The guerilla artist’s famous stencilled maid in Chalk Farm Road, Chalk Farm, has had another rough week and there are fears that, this time, she might not pull through.
The artwork on a wall close to the Roundhouse theatre was whitewashed on Saturday by vandals who left the words “Banksy Was Here. RIP” scrawled in the open space.
The attack bore similarities to the maid’s whitewashing in February, which led to a meticulous repair job.
Dame Joan Bakewell, a massive Banksy fan who lives nearby in Primrose Hill, said: “You have to say that Banksy has this sort of thing coming to him. He defies all the laws and so he cannot have protection from others who exercise the same freedom. He has made a marvellous jest and so I am sad, but also smiling.”
Camden Council has already proved to be a fan of the graffiti artist, having made enquiries to get insurance for a rat etched into the Town Hall buildings in King’s Cross. Officials have already been working on the wall to see if the layers of paint can be removed and the original art restored.
“After a call from the Roundhouse we did assist them in removing the emulsion painted on the side of their building,” said a council spokeswoman.

Posted in Banksy News. Tagged with , , , , .

Street Art Portraits of the Homeless

Wooster Collective points us to an anonymous artist doing an interesting kind of social outreach project. Similar in subject matter to French street artist JR’s work, the artist photographs homeless residents of San Francisco then does large scale graphite drawings of them. They’re then wheat pasted in cities around the world. It’s a beautiful and poignant way to represent these often overlooked members of society. The artist explains the story behind the above photo:

…this one is in San Francisco, i took this guys photo a couple of months before this piece and put it in the alley i often see him in. I did this piece during the day and coinceadently he saw me putting up the piece “ah man thats cool as shit”. about 15 minutes later im finishing the piece and 5 cops came upon me I spent the next 45 minutes explaining as to why not to arrest me.Piece stayed up in spite of the police , they went and asked the manager of the building if he wanted to press charges, ” nah man i like that just clean up my sidewalk” so i did. The subjects name is ” Bones ” he plays the harmonica.

Posted in Graffiti News. Tagged with , , , , .

Art gallery fooled into showing work of a two-year-old

In the world of art, things are not always what they seem, especially when it comes to the abstract paintings of an unknown artist.

canvas art

A Melbourne gallery has been embarrassed after it emerged that vivid artworks it chose to display in a forthcoming exhibition were actually created by a two-year-old.

Aelita Andre’s mother, established Russian-born photographer Nikka Kalashnikova, showed her daughter’s paintings to gallery director Mark Jamieson in October, failing to disclose the fact that the creative genius behind the work was just 22-months-old.

Mr Jamieson liked the paintings enough to include them in a group show, alongside photographs by Kalashnikova and work by another artist Julia Palenov, according to reports in The Age newspaper.

He had printed invitations to the show and paid for advertisements in an art magazine before Aelita’s age was revealed.

Mr Jamieson admits being embarrassed by the revelation, but decided to proceed with the exhibition.

“I was shocked, to be honest, and a little embarrassed,” he told the paper, saying that although the gallery liked to support emerging artists, this was the first time they had backed someone quite so junior.

“And then I thought, ‘Well, we’ll give it a go’.” Aelita’s parents deny they tried to mislead the gallery.

Kalashnikova said she and her husband simply wanted a second opinion on work they believed to be unique and beautiful.

“The gallery owner didn’t ask my age when I applied because I have to present him my work, age is age,” she told the Australian Broadcasting Corporation.

Aelita’s paintings, which go on show at the Brunswick Street Gallery later this month, are priced between $350 and $2000.

Posted in Art news. Tagged with , , , .

January Sales 2009

If you’re looking for a bargain then don’t miss the January Sale now on at Canvas-art-print.com. With over 3000 art prints available you’ll be spoilt for choice. Whether you want a Banksy print, Hed Kandi print or even some abstract canvas, Canvas Art Print is the place to shop.

Safe online shopping starts here!

Please browse our categories as everything is discounted this January
Abstract prints, Animal prints, Animation art prints, Artists, Banksy prints, Brit Pop, Cityscapes, Erotica, Floral and Fauna, Gay and Lesbian, Kandi Art, Landscapes, Modern Art, Movies, Music art prints, Retro art prints, Seascapes, Spacescapes, Sports art prints, Television art prints, Transportation, Your photo on canvas

Posted in Canvas Art Print news. Tagged with , , , , , , , , , , , , , , , , , , , , , .

New art prints for the New Year

We’d like to thank everybody for the kind feedback we’ve received on the new canvas art designs we’ve added to the site recently. We’re always keen to hear your comments and suggestions for new designs and colours.

We’re putting the finishing touches to even more canvas art and are looking forward to boosting our Banksy, D*Face, Blek Le Rat, and Square canvas art ranges!

Watch this space for more details; we’ll let you know as soon as the new designs are added!

Posted in Canvas Art Print news. Tagged with , , , , .

Footer